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Their plug-ins just work that is it’s not a wrestling match to have them sonically sit in the mix in a musical way.SoundToys Native Effects gives your mixes that pro quality, fat analog sound without the fat kick in the wallet. These effects allow me to be really creative with my mixes.” – Ryan Hewitt (Red Hot Chili Peppers, We Are Scientists, Sum 41, Avett Brothers) “I seriously don’t do a mix without at least 3-5 different Soundtoys plug-ins. “Once you start using all of these plug-ins you find it hard to stop, you become dependent on them because they give you what you want!” – Tom Elmhirst (Adele, The Black Keys, Cee Lo Green, Florence & The Machine) The main thing is, they sound fantastic! Soundtoys plug-ins are a part of every record that I make.” – Dave Tozer (Kanye West, John Legend, Justin Timberlake) They are easy to use right out the gate, but they also offer a great degree of customization. They are really well thought out & beautifully designed. “The team at Soundtoys have done a wonderful job with their plug-ins. And, of course, you can lock everything to the master tempo of the Soundtoys Effect Rack or your favorite DAW for solid, dead-simple synchronization. Like our custom shapes, custom patterns are even swappable between plug-ins. You can even choose the number of beats per bar to create some funky syncopation or odd-time-signature grooves. You can turn individual steps on and off to create pauses or rests, and adjust the level and length of each step to humanize your pattern and give it some musical variation. Choose a length (in bars) and the size of the steps you want to edit (sixteenth notes, eighth notes, quarter notes, etc), then start clicking to make a new pattern. Our Rhythm Editor is like a rhythmic modulation sequencer. Use it to dream up new LFO shapes, from knife-edged waves to gently ebbing curves. You can also draw and sculpt your own totally customized shapes using our Shape Editor. Our included library of LFO shapes goes far beyond standard modulation effects, giving you curves based on vintage modulation effects, amps and instruments as well as more abstract shapes. With any shape you can imagine.Īn LFO (Low Frequency Oscillator) is at the heart of every modulation effect - it’s what gives tremolos, phasers, panners and sweeping filters their characteristic motion.
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